I wanted to share 3 Audio Effects Racks that I designed for Ableton Live. These can be used for performance or production. (Click here for the download until September 1, 2020) I encourage you to open up the racks and see how I got them to work. You should be able to simply load
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This was originally published in 2013 in the Dubspot blog… Just over a year ago, I saw the film Jiro Dreams Of Sushi. It’s a documentary about Jiro Ono, an 85-year-old considered to be the world’s greatest sushi chef. The movie is a beautiful piece, and is really a study of what it takes to
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5 Consejos Para Optimizar El Rendimiento De Ableton Live Durante Un Live Set Lo peor que le puede suceder a un intérprete en vivo que está usando una computadora, es que ésta colapse completamente en el escenario. Algo fantástico acerca de Ableton Live es que es un programa muy estable – si se utiliza correctamente.
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We’re happy to announce an exciting series of workshops in 2017. The Brooklyn Digital Conservatory will be doing workshops throughout Latin America including: Colombia, Costa Rica, Cuba, Guatemala, Nicaragua, Panama, Chile, Brazil, Mexico and Cuba. Our first courses will run in Costa Rica beginning with a unique course by bassist Matthew Garrison at DJLAB on
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The Brooklyn Digital Conservatory and ShapeShifter Lab will continue the Digital and Acoustic Sessions open workshop series in Brooklyn on June 19th at 6:30 PM. This session will feature Daniel Mintseris who is the programmer and keyboardist for St Vincent discussing his live set-up and touring with St. Vincent. Following the workshop will be live
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Clyph X Part II: 3 Useful Live Performance Functions: In the last post I explained some basics about ClyphX and how to set it up. I just want to point out 3 more interesting ways to use it. Tempo Ramps: Tempo ramps, meaning shifting the tempo over a certain number of bars are easy to
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DJ LAB (Costa Rica), the Brooklyn Digital Conservatory and Dubspot International are collaborating to bring a Production with Ableton Live 9 and Push course to San Jose, Costa Rica from February 1 – 5, 2016. The detailed course description and sign up portal is here. Once again we will be collaborating with Ableton Inc and
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Today was the first day of the Production and Performance with Ableton Live course in Santiago, Chile dig this. This marked the first course in Latin America that was a collaboration between the Brooklyn Digital Conservatory, Dubspot International, 101 Training (Chile) and Ableton. Great start to the week – beat building techniques using Ableton’s Drum
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